Four collections
Different rooms. One inner world.
Family, love, the marks we leave, and the landscapes within. Follow the thread that feels like yours.
01 / 3 paintings
Family & Inheritance
The worlds we come from, and the ones we make.
These are the hardest rooms in the house, painted anyway. Fathers, mothers, childhood — the emotional architecture we are handed before we can read the blueprints. The works in this collection use houses, roots, storms, and symbols to say what family rarely says out loud. They were painted as release, and they read that way: honest, unguarded, and finally at peace with being seen.
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02 / 2 paintings
Love & Loss
What the heart builds, keeps, and finally lets go.
A heart painted the size of the canvas, because that is the size it feels. These works trace the full arc — the luminous simplicity of love, the structures we build around it, and the strange afternoon when what once undid you becomes something you can look at calmly, the way you look at a painting on a wall.
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03 / 3 paintings
The Marks We Leave
Hands, footprints, and the proof of being here.
The oldest art on Earth is a handprint on a cave wall, and this collection stands in that lineage without apology. Hands pressed into warmth and darkness, a footprint mid-step, fingers that flower into other lives — each work is a declaration of presence. I was here. I touched things. I kept walking.
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04 / 2 paintings
Inner Landscapes
The invisible architecture of thought.
Maps of places that exist only from the inside. These works chart consciousness the way older painters charted coastlines — dotted pathways, rooms of feeling, weather systems of memory and perception. They are painted intuitively and read intuitively: you do not decode them, you recognise them.
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